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考研英语英译汉翻译题历年题材一览

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下面小编为大家整理了考研英语英译汉翻译题历年题材一览,本文共8篇,欢迎阅读与借鉴!

考研英语英译汉翻译题历年题材一览

篇1:考研英语英译汉翻译题历年题材一览

考研英语英译汉翻译题历年题材一览

英译汉,俗称翻译,在考研英语试卷中虽然只有10分的值数,但是每个理智的考生都会同意,倘若我们没有在备考中充分地学到必要的翻译知识,那么我们将会在其它的项目比如完形填空、阅读理解等中遇到很大的困难。所以,要想使自己在其它项目中取得骄人的业绩,就必须从一开始重视翻译!

英译汉试题为5小题,每题2分,共10分。在一篇约400字的短文中有五个划线部分,考生应根据上下文将各划线部分译成汉语。要求译文准确、完整、通顺。

从测试要求来看,考生应能理解原文,同时译文正确,文字通顺,语句符合汉语习惯评分标准规定:

1.    译文正确,文字通顺,可给满分;

2.    汉语出现错别字,按整篇累计扣分,每4个错别字扣1分;

3.    语句不符合汉语习惯、语序错误、用词不当或漏译使句意含糊不清,酌情扣分;

4.    理解完全错误或译文混乱不成句,不给分;

5.    如同一句出现两种或两种以上正确译法可给分;其中一种译法错误,酌情扣分。

题材内容:

所选文章的题材涉及科普、社会生活、历史、文化、政治、经济等方面的常识性内容,体裁多为议论文,也有说明文或记叙文。例如:

1994年:关于科学发展;

1995年:关于标准化教育和心理测试;

:关于科学研究领域的发展差异;

:关于动物的权利问题;

:关于宇宙起源问题;

:关于历史研究方法;

:关于工业经济;

:关于科技;

:关于人类行为科学问题;

:关于人类学的问题;

:关于人类语言与思维问题;

:关于媒体发展对人类社会的影响;

:关于美国对知识分子的定义问题;

: 关于法律学习与媒体的关系响;

:达尔文对思维能力的.看法;

:关于教育种类划分的问题。

所以考生平时不仅要阅读专业的英文文献,同时要广泛阅读其它专业的科普文献。只要在学习英语的过程中,注意扩大阅读量,拓宽自己的知识面,同时经常进行一些必要的翻译练习,掌握必要的翻译理论和翻译技巧,提高汉语表达能力,就不会在考试中束手无策,无从下手了。

另一方面,从试题来分析,命题组更加注重考察考生综合运用语言的能力。试题难度加大:要求考生在做题时不能以词定义,孤立理解句子,而是要把词和句子放到上下文章节中加以理解;更加强调对习惯用法和语感的掌握,考生靠单词和语法规则是不可能取得良好成绩的。不管是主观题还是客观题,考生必须理解全句、全段和全文,将语法、词义和上下文结合起来理解。

篇2:历年考研英语英译汉真题

Part C

Directions:

Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written on the ANSWER SHEET(10 points)

Music means different things to different people and sometimes even different things to the same person at different moments of his life. It might be poetic, philosophical, sensual, or mathematical, but in any case it must, in my view, have something to do with the soul of the human being. Hence it is metaphysical; but the means of expression is purely and exclusively physical: sound. I believe it is precisely this permanent coexistence of metaphysical message through physical means that is the strength of music.46) It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.

Beethoven’s importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure. Sometimes I feel in his late works a will to break all signs of continuity. The music is abrupt and seemingly disconnected, as in the last piano sonata. In musical expression, he did not feel restrained by the weight of convention. 47) By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.

This courageous attitude in fact becomes a requirement for the performers of Beethoven’s music. His compositions demand the performer to show courage, for example in the use of dynamics. 48) Beethoven’s habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.

Beethoven was a deeply political man in the broadest sense of the word. He was not interested in daily politics, but concerned with questions of moral behavior and the larger questions of right and wrong affecting the entire society.49) Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.

Beethoven’s music tends to move from chaos to order as if order were an imperative of human existence. For him, order does not result from forgetting or ignoring the disorders that plague our existence; order is a necessary development, an improvement that may lead to the Greek ideal of spiritual elevation. It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second, so that suffering does not have the last word. 50) One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.

46. 这也是为什么当我们试图用语言来描述音乐时,我们只能明确表达我们对于音乐的感受,而不能完全理解音乐本身。

47. 人们普遍认为,他(贝多芬)是个思想自由、充满勇气的人,我发现勇气这一品质,是理解他作品的关键,更不必说是演出其作品的关键。

48. 贝多芬习惯最大限度来逐渐增高音量,然后突然跟上轻柔的乐段,在他之前,作曲家很少使用这种方式。

49) 尤为重要的是贝多芬对于自由的看法,他认为,这种自由是与个人的权利和责任联系起来的:他倡导思想自由和个人言论自由。

50.我们可以这样解释贝多芬的大部分作品:苦难是不可避免的,但是与痛苦抗争的勇气使得生命值得继续。

篇3:历年考研英语英译汉真题

Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written clearly on ANSWER SHEET 2. (10 points)

It is speculated that gardens arise from a basic need in the individuals who made them: the need for creative expression. There is no doubt that gardens evidence an impossible urge to create, express, fashion, and beautify and that self-expression is a basic human urge; (46) Yet when one looks at the photographs of the garden created by the homeless, it strikes one that , for all their diversity of styles, these gardens speak os various other fundamental urges, beyond that of decoration and creative expression.

One of these urges had to do with creating a state of peace in the midst of turbulence, a “still point of the turning world,” to borrow a phrase from T. S. Eliot. (47)A sacred place of peace, however crude it may be, is a distinctly human need, as opposed to shelter, which is a distinctly animal need. This distinction is so much so that where the latter is lacking, as it is for these unlikely gardens, the foemer becomes all the more urgent. Composure is a state of mind made possible by the structuring of one’s relation to one’s environment. (48) The gardens of the homeless which are in effect homeless gardens introduce from into an urban environment where it either didn’t exist or was not discernible as such. In so doing they give composure to a segment of the inarticulate environment in which they take their stand.

Another urge or need that these gardens appear to respond to, or to arise from is so intrinsic that we are barely ever conscious of its abiding claims on us. When we are deprived of green, of plants, of trees, (49)most of us give into a demoralization of spirit which we usually blame on some psychological conditions, until one day we find ourselves in garden and feel the expression vanish as if by magic. In most of the homeless gardens of New York City the actual cultivation of plants is unfeasible, yet even so the compositions often seem to represent attempts to call arrangement of materials, an institution of colors, small pool of water, and a frequent presence of petals or leaves as well as of stuffed animals. On display here are various fantasy elements whose reference, at some basic level, seems to be the natural world. (50)It is this implicit or explicit reference to nature that fully justifies the use of word garden though in a “liberated” sense, to describe these synthetic constructions. In them we can see biophilia- a yearning for contact with nonhuman life-assuming uncanny representational forms.

46. yet, when one looks at the photographs of the gardens created by the homeless, it strikes one that, for all their diversity of styles, these gardens speak of various other fundamental urges, beyond that of decoration and creative expression.

【参考译文】然而,看着无家可归者绘制出的花园图片时,人们会突然想到,尽管这些花园风格多样,它们都显示了人类除了装饰和创造性表达之外的其他各种基本诉求

47. A sacred place of peace, however crude it may be, is a distinctly human need, as opposed to shelter, which is a distinctly animal need.

【参考译文】无论地方多么简陋不堪,寻求一片静谧圣土是人类特有的需求,而动物需要的仅是仅是避难栖息之地。

48. The gardens of the homeless, which are in effect homeless gardens, introduce form into an urban environment where it either didn’t exist or was not discernible as such.

【参考译文】无家可归者的乐园,实际上是一个毫无家气息的地方,给城市环境带来了一种新的形式。。

无家可归者描绘的花园实质上是无所依附的,这些花园把一种形式引入城市环境中,而这样的城市环境中,形式要么根本不存在, 要么就完全不是以这种明显的方式存在。

49. most of us give in to a demoralization of spirit which usually blame on some psychological conditions, until one day we find ourselves in a garden and feel the oppression vanish as if by magic.

【参考译文】我们大多数人会深陷于精神萎靡的状态,并常常将此归咎为一些心理原因,直到某天我们发现自己置身花园中,感到如魔法般烦闷尽消

50. It is this implicit or explicit reference to nature that fully justifies the use of the word garden, though in a “liberated” sense, to describe these synthetic constructions.

【参考译文】正是对自然的这种或隐晦含蓄或清晰直白的提及,充分证实了用“花园”一词来描述这些虚拟建筑是合乎情理的,即使是从毫无拘泥的意义来讲的。

篇4:历年考研英语英译汉真题

Directions:

Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written carefully on ANSWER SHEET 2. (10 points)

With its theme that “Mind is the master weaver,” creating our inner character and outer circumstances, the book As a Man Thinking by James Allen is an in-depth exploration of the central idea of self-help writing.

(46) Allen‘s contribution was to take an assumption we all share-that because we are not robots we therefore control our thoughts-and reveal its erroneous nature. Because most of us believe that mind is separate from matter, we think that thoughts can be hidden and made powerless; this allows us to think one way and act another. However, Allen believed that the unconscious mind generates as much action as the conscious mind, and (47) while we may be able to sustain the illusion of control through the conscious mind alone, in reality we are continually faced with a question: “Why cannot I make myself do this or achieve that? ”

Since desire and will are damaged by the presence of thoughts that do not accord with desire, Allen concluded : “ We do not attract what we want, but what we are.” Achievement happens because you as a person embody the external achievement; you don‘t “ get” success but become it. There is no gap between mind and matter.

Part of the fame of Allen‘s book is its contention that “Circumstances do not make a person, they reveal him.” (48) This seems a justification for neglect of those in need, and a rationalization of exploitation, of the superiority of those at the top and the inferiority of those at the bottom. This ,however, would be a knee-jerk reaction to a subtle argument. Each set of circumstances, however bad, offers a unique opportunity for growth. If circumstances always determined the life and prospects of people, then humanity would never have progressed. In fat, (49)circumstances seem to be designed to bring out the best in us and if we feel that we have been “wronged” then we are unlikely to begin a conscious effort to escape from our situation .Nevertheless, as any biographer knows, a person’s early life and its conditions are often the greatest gift to an individual.

The sobering aspect of Allen‘s book is that we have no one else to blame for our present condition except ourselves. (50) The upside is the possibilities contained in knowing that everything is up to us; where before we were experts in the array of limitations, now we become authorities of what is possible.

46、艾伦的贡献在于提供了我们能分担和揭示错误性质的假设——因为我们不是机器人,因此我们能够控制我们的理想。

47、我们可以单独通过意识维持控制的感觉,但实际上我们一直面临着一个问题,为什么我不能完成这件事情或那件事情。

48、这似乎可能为必要时的忽视正名,也能合理说明剥削,以及在顶层的人的优越感及处于后层人们的劣势感。

49、环境似乎是为了挑选出我们的强者,而且如果我们感觉受了委屈,那么我们就不可能有意识的做出努力逃离我们原来的处境。

50、正面在于我们处于这样的位置,知道所有事情都取决于我们自己,之前我们对着一系列的限制,而现在我们成了权威。

篇5:英译汉考研英语一历年真题

Directions:

Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written carefully on ANSWER SHEET 2. (10 points)

With its theme that “Mind is the master weaver,” creating our inner character and outer circumstances, the book As a Man Thinking by James Allen is an in-depth exploration of the central idea of self-help writing.

(46) Allen‘s contribution was to take an assumption we all share-that because we are not robots we therefore control our thoughts-and reveal its erroneous nature. Because most of us believe that mind is separate from matter, we think that thoughts can be hidden and made powerless; this allows us to think one way and act another. However, Allen believed that the unconscious mind generates as much action as the conscious mind, and (47) while we may be able to sustain the illusion of control through the conscious mind alone, in reality we are continually faced with a question: “Why cannot I make myself do this or achieve that? ”

Since desire and will are damaged by the presence of thoughts that do not accord with desire, Allen concluded : “ We do not attract what we want, but what we are.” Achievement happens because you as a person embody the external achievement; you don‘t “ get” success but become it. There is no gap between mind and matter.

Part of the fame of Allen‘s book is its contention that “Circumstances do not make a person, they reveal him.” (48) This seems a justification for neglect of those in need, and a rationalization of exploitation, of the superiority of those at the top and the inferiority of those at the bottom. This ,however, would be a knee-jerk reaction to a subtle argument. Each set of circumstances, however bad, offers a unique opportunity for growth. If circumstances always determined the life and prospects of people, then humanity would never have progressed. In fat, (49)circumstances seem to be designed to bring out the best in us and if we feel that we have been “wronged” then we are unlikely to begin a conscious effort to escape from our situation .Nevertheless, as any biographer knows, a person’s early life and its conditions are often the greatest gift to an individual.

The sobering aspect of Allen‘s book is that we have no one else to blame for our present condition except ourselves. (50) The upside is the possibilities contained in knowing that everything is up to us; where before we were experts in the array of limitations, now we become authorities of what is possible.

篇6:英译汉考研英语一历年真题

Directions:

Read the following text carefully and then translate the underlined sentences into Chinese. Your translation should be written neatly on the ANSWER SHEET. (10 points)

Within the span of a hundred years, in the seventeenth and early eighteenth centuries, a tide of emigration-one the great folk wanderings of history-swept from Europe to America. (46) This movement, driven by powerful and diverse motivations, built a nation out of a wilderness and, by its nature, shaped the character and destiny of an uncharted continent.

(47) The United States is the product of two principal forces-the immigration of European peoples with their varied ideas,customs and national characteristics and the impact of a new country which modified these traits. Of necessity, colonial America was a projection of Europe. Across the Atlantic came successive groups of Englishmen, Frenchmen, Germans, Scots, Irishmen, Dutchmen, Swedes, and many others who attempted to transplant their habits and traditions to the new world. (48) But the force of geographic conditions peculiar to America, the interplay of the varied national groups upon one another, and the sheer difficulty of maintaining old-world ways in a raw, new continent caused significant changes. These changes were gradual and at first scarcely visible. But the result was a new social pattern which, although it resembled European society in many ways, had a character that was distinctly American.

(49) The first shiploads of immigrants bound for the territory which is now the United States crossed the Atlantic more than a hundred years after the 15th-and-16th-century explorations of North America. In the meantime, thriving Spanish colonies had been established in Mexico, the West Indies, and South America. These travelers to North America came in small, unmercifully overcrowded craft. During their six-to twelve-week voyage, they survived on barely enough food allotted to them. Many of the ships were lost in storms, many passengers died of disease, and infants rarely survived the journey. Sometimes storms blew the vessels far off their course, and often calm brought unbearably long delay.

To the anxious travelers the sight of the American shore brought almost inexpressible relief. Said one recorder of events, “The air at twelve leagues' distance smelt as sweet as a new-blown garden.” Thecolonists' first glimpse of the new land was a sight of dense woods.(50)The virgin forest with its richness and variety of trees was a real treasure-house which extended from Maine all the way down to Georgia. Here was abundant fuel and lumber. Here was the raw material of houses and furniture, ships and potash, dyes and naval stores.

46)在多种强大的动机驱动下,这次运动在一片荒野上建起了一个国家,其本身塑造了一个未知大陆的性格和命运。

47)美国是两种主要力量的产物--即思想习俗、民族特色各异的欧洲移民和修改这些特征的新国家的影响的产物。

48)但由于美国特有的地理条件,不同民族的相互作用,以及维护原始老式方式的纯粹困难,新大陆引起了重大变化。

49)在15-16世纪北美探索的一百多年之后,运往该领土-即当今的美国-的第一船移民横渡了大西洋。

50)拥有丰富多样树种的原始森林是一个真正的宝库,它从缅因州一直延伸到乔治亚州。

篇7:英译汉考研英语一历年真题

Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written on the ANSWER SHEET(10 points)

Music means different things to different people and sometimes even different things to the same person at different moments of his life. It might be poetic, philosophical, sensual, or mathematical, but in any case it must, in my view, have something to do with the soul of the human being. Hence it is metaphysical; but the means of expression is purely and exclusively physical: sound. I believe it is precisely this permanent coexistence of metaphysical message through physical means that is the strength of music.46) It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.

Beethoven’s importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure. Sometimes I feel in his late works a will to break all signs of continuity. The music is abrupt and seemingly disconnected, as in the last piano sonata. In musical expression, he did not feel restrained by the weight of convention. 47) By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.

This courageous attitude in fact becomes a requirement for the performers of Beethoven’s music. His compositions demand the performer to show courage, for example in the use of dynamics. 48) Beethoven’s habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.

Beethoven was a deeply political man in the broadest sense of the word. He was not interested in daily politics, but concerned with questions of moral behavior and the larger questions of right and wrong affecting the entire society.49) Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.

Beethoven’s music tends to move from chaos to order as if order were an imperative of human existence. For him, order does not result from forgetting or ignoring the disorders that plague our existence; order is a necessary development, an improvement that may lead to the Greek ideal of spiritual elevation. It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second, so that suffering does not have the last word. 50) One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.

篇8:考研英语英译汉三大题材来源

考研英语英译汉三大题材来源

通过对历年试题的分析可知,英译汉部分试题命制的材料主要取自社会生活、科普知识、文化教育这几个方面。

1社会生活

法律教育、欧洲电视媒体、人口爆炸、噪音、儿童教育、资料收集、大学生、城市生活、办公室、职业选择、标准化教育、心理测试、历史学家、行为科学和文化人类学。

2科普方面

核辐射、太阳能、电的应用、矿物燃料、电视、能源危机、智商、建筑、技术和工具革新、科学研究取得进步的原因、天文科幻、未来世界等。

3文化教育

主要涉及广义的教育、达尔文论智力、对“知识分子”的定义。

近十年英译汉部分命题的`文章篇幅不长,大约400词左右,词汇量一般也没有超出大纲规定的范围。命题主要是对文章中的长难句,包含习惯用法的句子的理解及其翻译。

英译汉部分的文章具有如下特点:

第一,在用词方面,往往用比较正式的词。

第二,文章内容比较抽象、句子长、成分复杂(从句多,有时一个句子中的从句竟有好几个)。设置试题的句子平均长度是35词。文章中的定语从句、宾语从句、被动语态、代词指代和比较状语从句是试题命制的重点。例如,代词指代是指this,that,it,they等词的指代。在文章中,它们往往不是单纯地代表另一个简单名词,而是出现代指上文或下文的一件事、一句话等复杂的情况。比较状语从句也很少是两个事物数量、程度等具体方面的比较,取而代之的是指较为复杂的、抽象意义上的比较。

此外,此类文章的特点还体现在被动句数量非常多。这些特点给考生增添了很大难度。在翻译这类文体时,要求译成准确、简洁、符合规范的中文。

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